John Frederick Kensett
American Hudson River School Painter, 1816-1872 He attended school at Cheshire Academy, and studied engraving with his immigrant father, Thomas Kensett, and later with his uncle, Alfred Dagget. He worked as engraver in the New Haven area until about 1838, after which he went to work as a bank note engraver in New York City. In 1840, along with Asher Durand and John William Casilear, Kensett traveled to Europe in order to study painting. There he met and traveled with Benjamin Champney. The two sketched and painted throughout Europe, refining their talents. During this period, Kensett developed an appreciation and affinity for 17th century Dutch landscape painting. Kensett and Champney returned to the United States in 1847. After establishing his studio and settling in New York, Kensett traveled extensively throughout the Northeast and the Colorado Rockies as well as making several trips back to Europe. Kensett is best known for his landscape of upstate New York and New England and seascapes of coastal New Jersey, Long Island and New England. He is most closely associated with the so-called "second generation" of the Hudson River School. Along with Sanford Robinson Gifford, Fitz Hugh Lane, Jasper Francis Cropsey, Martin Johnson Heade and others, the works of the "Luminists," as they came to be known, were characterized by unselfconscious, nearly invisible brushstrokes used to convey the qualities and effects of atmospheric light. It could be considered the spiritual, if not stylistic, cousin to Impressionism. Such spiritualism stemmed from Transcendentalist philosophies of sublime nature and contemplation bringing one closer to a spiritual truth.

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John Frederick Kensett Lake George oil painting


Lake George
mk75 1869 Huile sur toile 112x168.6cm
Painting ID::  31694
John Frederick Kensett
Lake George
mk75 1869 Huile sur toile 112x168.6cm
   
   
     

John Frederick Kensett Lake George oil painting


Lake George
mk140 1870 Oil on canvas 35.6x61.2cm
Painting ID::  39078
John Frederick Kensett
Lake George
mk140 1870 Oil on canvas 35.6x61.2cm
   
   
     

John Frederick Kensett Shrewsbury River oil painting


Shrewsbury River
mk181 New Jersey 1859 Ol auf Leinwand 47x77.5cm
Painting ID::  45347
John Frederick Kensett
Shrewsbury River
mk181 New Jersey 1859 Ol auf Leinwand 47x77.5cm
   
   
     

John Frederick Kensett Sonnenuntergang am Meer oil painting


Sonnenuntergang am Meer
mk181 1872 Ol auf Leinwand
Painting ID::  45348
John Frederick Kensett
Sonnenuntergang am Meer
mk181 1872 Ol auf Leinwand
   
   
     

John Frederick Kensett English Landscape oil painting


English Landscape
Medium oil on cardboard panel Dimensions 47 X 52.1 cm
Painting ID::  69168
John Frederick Kensett
English Landscape
Medium oil on cardboard panel Dimensions 47 X 52.1 cm
   
   
     

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     John Frederick Kensett
     American Hudson River School Painter, 1816-1872 He attended school at Cheshire Academy, and studied engraving with his immigrant father, Thomas Kensett, and later with his uncle, Alfred Dagget. He worked as engraver in the New Haven area until about 1838, after which he went to work as a bank note engraver in New York City. In 1840, along with Asher Durand and John William Casilear, Kensett traveled to Europe in order to study painting. There he met and traveled with Benjamin Champney. The two sketched and painted throughout Europe, refining their talents. During this period, Kensett developed an appreciation and affinity for 17th century Dutch landscape painting. Kensett and Champney returned to the United States in 1847. After establishing his studio and settling in New York, Kensett traveled extensively throughout the Northeast and the Colorado Rockies as well as making several trips back to Europe. Kensett is best known for his landscape of upstate New York and New England and seascapes of coastal New Jersey, Long Island and New England. He is most closely associated with the so-called "second generation" of the Hudson River School. Along with Sanford Robinson Gifford, Fitz Hugh Lane, Jasper Francis Cropsey, Martin Johnson Heade and others, the works of the "Luminists," as they came to be known, were characterized by unselfconscious, nearly invisible brushstrokes used to convey the qualities and effects of atmospheric light. It could be considered the spiritual, if not stylistic, cousin to Impressionism. Such spiritualism stemmed from Transcendentalist philosophies of sublime nature and contemplation bringing one closer to a spiritual truth.

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